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American War: A novel, by Omar El Akkad
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“Powerful . . . As haunting a postapocalyptic universe as Cormac McCarthy [created] in The Road, and as devastating a look as the fallout that national events have on an American family as Philip Roth did in The Plot Against America.�. . . Omar El Akkad’s debut novel, American War, is an unlikely mash-up of unsparing war reporting and plot elements familiar to readers of the recent young-adult dystopian series The Hunger Games and Divergent.”
—Michiko Kakutani, The New York Times
An audacious and powerful debut novel: a second American Civil War, a devastating plague, and one family caught deep in the middle—a story that asks what might happen if America were to turn its most devastating policies and deadly weapons upon itself.
Sarat Chestnut, born in Louisiana, is only six when the Second American Civil War breaks out in 2074. But even she knows that oil is outlawed, that Louisiana is half underwater, and that unmanned drones fill the sky. When her father is killed and her family is forced into Camp Patience for displaced persons, she begins to grow up shaped by her particular time and place. But not everyone at Camp Patience is who they claim to be. Eventually Sarat is befriended by a mysterious functionary, under whose influence she is turned into a deadly instrument of war. The decisions that she makes will have tremendous consequences not just for Sarat but for her family and her country, rippling through generations of strangers and kin alike.
- Sales Rank: #580 in Books
- Brand: KNOPF
- Published on: 2017-04-04
- Released on: 2017-04-04
- Format: Deckle Edge
- Original language: English
- Dimensions: 9.53" h x 1.28" w x 6.65" l,
- Binding: Hardcover
- 352 pages
- KNOPF
Most helpful customer reviews
18 of 20 people found the following review helpful.
Speculative, dystopian fiction about a not-too-distant future
By Barry Campbell
"American War" takes place in a late-21st-century America that is a shell of its former self, broken by internal strife, rising seas, extreme weather and bioterrorism.
The Second American Civil War isn't fought over race (these Americans appear to mostly be over racial hangups) but power... specifically, fossil fuels.
The ascendant world powers are Asian and Muslim. In this future, the Muslim "Bouazizi Empire" got popular revolution right on the fifth try, and the Red Crescent is running the refugee camps in the Free Southern States.
And we meet Sarat, the protagonist of the book, at age 6, in a Louisiana that's mostly underwater, as her parents are starting to talk about getting work permits to move North.
The book is a study of how terrorists are made, and the arc of Sarat's life, from atrocities in the refugee camp her family fled to, to her recruitment, her successful missions, her capture and torture, and ultimately her awful revenge, have many real-world parallels that aren't too hard to spot, or intended to be.
Still, the book is deft, entertaining, and provocative. The central conceit of the book can be found in these lines given to Karina, a nurse who emigrated to the US from what was left of Bangladesh after the seas rose:
"...the misery of war represented the world’s only truly universal language. Its native speakers occupied different ends of the world, and the prayers they recited were not the same and the empty superstitions to which they clung so dearly were not the same— and yet they were. War broke them the same way, made them scared and angry and vengeful the same way. In times of peace and good fortune they were nothing alike, but stripped of these things they were kin. The universal slogan of war, she’d learned, was simple: If it had been you, you’d have done no different."
I ripped through this in three days, reading an hour or so longer a night than I had really intended to. Haven't picked up a piece of fiction that I didn't want to put down in a while.
6 of 7 people found the following review helpful.
Solid, but not worthy of the effusive praise it has received.
By M.A.Moore
The topic - a US Civil War over fossil fuel - is certainly timely and likely accounts for some of the interest in this otherwise pedestrian book. Yes, the setting is what life is like, primarily in the rebel area, after the war and the resultant civil breakdown but few details (causes, politics, etc.) make their way into the actual plot. Many reviewers say the primary character is the point of interest but she is drawn only thinly, with little attention given to her psychology, emotions or anything other than her reaction to external events. The author is a journalist and all of the writing has that tone - weak dialogue, thin characters, a focus on specific events. The inclusion of "historical artifacts" from the period is a cliche, particularly since they, too, are brief and thin and simply remind us of the setting without bringing it to life. In the 3rd quarter of the book there is a drawn-out torture and abuse section which is mostly unnecessary and not creatively written. If you like this genre, as I do, there are many better reads including "Station Eleven."
0 of 0 people found the following review helpful.
I heard good things about this book in the New York Times ...
By Francis
I heard good things about this book in the New York Times and bought it on a whim. I really enjoyed it and read it in a couple of settings.
The book wasn't quite what I had thought it was--I was thinking a little bit more Tom Clancy/military history/future war stuff--and it was much more of a traditional novel about the story of an individual protagonist and her family and their evolution in this post-apocalyptic world, but it was so well done that I enjoyed it just the same.
And while I didn't spend too much time on it, it was interesting to think about and be immersed into a world-a world that most likely happen at some point-where the US is a failed superpower and China and the Middle East have become ascendant. So an interesting read from that perspective as well.
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