Ebook Practices of Looking: An Introduction to Visual Culture, by Marita Sturken, Lisa Cartwright
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Practices of Looking: An Introduction to Visual Culture, by Marita Sturken, Lisa Cartwright
Ebook Practices of Looking: An Introduction to Visual Culture, by Marita Sturken, Lisa Cartwright
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Ideal for students studying visual culture for the first time, Practices of Looking explores the ways we use and understand images. Truly interdisciplinary, this comprehensive and engaging introduction can be used in courses across a range of disciplines including media and film studies, communications, art history, and photography. Marita Sturken and Lisa Cartwright examine the diverse range of recent approaches to visual analysis and lead students through key theories on visual culture, providing explanations of the fundamentals of these theories and presenting visual examples of how they function. Using over 175 illustrations, they examine how images--paintings, prints, photographs, film, television, video, advertisements, news images, the Internet, digital images, and images from science--gain meaning in different cultural arenas, from art and commerce to science and the law. They also consider how these images travel globally and in distinct cultures; how they are an integral and important aspect of our lives. The images are analyzed in relation to a range of cultural and representational issues (desire, power, the gaze, bodies, sexuality, ethnicity) and methodologies (semiotics, marxism, psychoanalysis, feminism, postcolonial theory). Central topics such as ideology, the concept of the spectator, the role of reproduction in visual culture, the mass media and the public sphere, consumer culture, and postmodernism are explained in depth.
- Sales Rank: #621256 in Books
- Published on: 2001-03-15
- Original language: English
- Number of items: 1
- Dimensions: 6.80" h x .75" w x 9.70" l,
- Binding: Paperback
- 385 pages
Review
This is a great book and I think it will be very useful to those teaching visual communication (and visual culture) courses. Professor Sandra Moriarty, Journalism and Mass Communication, University of Colorado
This volume is a comprehensive and compelling introduction to the wide range body of critical thought that is now being combined under the banner of visual culture. Nick Mirzoeff, Department of Art, SUNY at Stony Brook
This strikes me as an excellent book. It is one of those rare texts that is extremely clear, introductory but not pedestrian; it flows so easily that is seems like it must have been a pleasure for the authors to write. Professor Amelia Jones, Department of Art History, University of California, Riverside
`Overall, Practices of Looking is a superb text for both beginning and advanced students in visual culture and communications related coursesThe text is both easily understood and engaging to the reader, and presented in a manner that allows for thorough absorbtion of most topics.' Joel Davies, Creighton University
About the Author
Marita Sturken is Associate Professor at the University of Southern California, teaching cultural studies, popular culture, and issues of technology and culture. She previously worked as a critic in independent film and video, and is the author of; Tangled Memories: The Vietnam War, the AIDS Epidemic and the Politics of Remembering, University of California Press (1997) and Thelma and Louise, British Film Institute Modern Classics Series (2000). Lisa Cartwright is Associate Professor at the University of Rochester, and Director of the Susan B. Institute for Gender and Women's Studies. She is the author of Screening the Body: Tracing Medicine's Visual Culture and co-editor of The Visible Woman: Imaging Technologies, Gender and Science
Most helpful customer reviews
5 of 5 people found the following review helpful.
Great (but overpriced) introduction
By Alan Diaz
This is by far the best introductory text on visual culture I have personally come across. I strongly disagree with some previous reviewers that say the writing is "pompous" or "needlessly complex"; I am by no means an expert on the subject and I found the writing to be extremely comprehensive and even generous when it comes to explanations. The authors seem to make a great effort to be understood and a lot of really complex concepts are presented in a surprisingly and refreshing clear manner. I also disagree with a previous review that claimed that technical terms are frequently unexplained (I, in fact, think quite the opposite). Maybe the complaints about it being "unnecessarily long" could be somewhat justified if you consider that illustrating the concepts through concrete examples is "unnecessary". I think that the examples (although I admit I sometimes skimmed through them) present the rich context of visual culture and even make the text quite pleasant and colorful. That, in my opinion, is really something to be thankful for when it comes to "academic" texts.
That said, I have some complaints about the quality-price ratio of the actual materiality of the book itself. I initially borrowed the first edition from my university library (where they gave it a hardcover treatment for durability) and read it almost completely through. As I already said, I thought it was great (and wanted to read the new sections added on the second edition) so I decided to buy it regardless of the surprisingly high $80 price tag. I was quite disappointed when it arrived. The paper is not too great, the typography is not the best for reading and the cover is made from a flimsy and thin "plastified" paper (I also think the design of the cover itself is awful -5 minute random cut and paste-, but you can see that from the product photo and I guess its irrelevant). Besides this, I find the format too big (it is exactly A4!). Thus, the book ends up being one of those "squiggly" books that feel like a wet fish when you have it in your hands. I admit this is not so serious, but for $80 bucks I was expecting something better made...
In conclusion: content-wise the book is top notch; materially-wise it leaves a lot to be desired. It is extremely useful and it is no doubt a work of great scholarship. However, its not one of those books you enjoy having in your hands or in your bookshelf (and it will undoubtedly hurt your wallet).
6 of 7 people found the following review helpful.
Best of its kind...with one exception
By Dr.L.
When I was looking for a textbook for my visual sociology class I went through several highly academic and rather deadly boring books. Then I came across this one. While it is not exactly what I wanted, it does cover about 90% of the needs for this class. Chapters are set in a logical order and take into account political, commercial as well as sociological and cultural aspects of "looking at" photos, sculptures, paintings, TV and films. All of this is combined with an historical frame. The terminology is well defined and placed into context with understandable examples. The photos and paintings, propaganda material and TV adds are valuable and relevant to the what is covered in the text. It is a readable text but there is one drawback....the authors beat the proverbial dead house when it comes to discussion. Like many academics, including some of my own colleagues, they like to hear themselves talk and, in this case, being read. I am more the..make your point and move on type. So while the book could probably be better edited, it is nonetheless a most valuable source in the practice of looking.
1 of 1 people found the following review helpful.
too much pontless info
By JJ
The book has a few really interesting points, but those ponts take up about 1 page in 15. Surrounding each interesting or helpful tidbit is much more arbitrary information that makes you wish the book would just get to the point already. The book could have been edited down to at least half its size and would have been more effective. Unfortunately i need this for a class and have to just deal with the poor setup. I would not reccomend buying or using this text.
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