Rabu, 27 Januari 2010

[I821.Ebook] Ebook Practical Musculoskeletal Ultrasound, 2e, by Eugene McNally MD

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Practical Musculoskeletal Ultrasound is your ideal, accessible guide to all of today’s clinically useful musculoskeletal ultrasound techniques and their major applications in patient diagnosis and management. This thoroughly updated radiology reference encompasses all of the most recent advances in ultrasound technology, delivering the unmatched guidance you need to conduct an effective ultrasound examination, obtain optimal images, and expertly interpret your findings.

"..comprehensive and insightful." Reviewed by: Dr. Paula Richards on behalf of RAD Magazine, December 2014

  • Balance the advantages of musculoskeletal ultrasound (superficial soft-tissue injury) with its limitations (deep or intra-articular structures).
  • Obtain an optimal field of view with anatomic/sonographic correlations throughout.
  • Apply quick, accurate, and cost-effective methods of assessment through a focus on those areas where MSK ultrasound has the most clinical impact.
  • Apply all of the latest knowledge in MSK ultrasound with expanded coverage of the shoulder, elbow, wrist, hand, hip, knee, foot, and ankle, as well as interventional radiology techniques.
  • Make the most definite interpretations and diagnoses with help from hundreds of new line drawings and scans, as well as the addition of real-time videos online to complement each image.
  • Reference differential diagnosis tables to quickly deduce the most likely clinical problem being assessed.��
  • Access the complete radiology text and all of the images and video clips online at Expert Consult.

  • Sales Rank: #327798 in Books
  • Published on: 2014-06-12
  • Original language: English
  • Number of items: 1
  • Dimensions: .95" h x 8.76" w x 11.10" l,
  • Binding: Hardcover
  • 456 pages

Review

"Each chapter has an outline and it is logically ordered and set out. The book is a joy to read, with the key points a useful reminder that can be used for revision. I thoroughly recommend this book to anyone undertaking musculoskeletal ultrasound." Reviewed by: Dr. Paula Richards on behalf of RAD Magazine, December 2014

"Having worked in this field for more than 20 years I do appreciate the editor’s achievement to accomplish an outstanding, practically useful book with an encouraging approach for beginners as well as the more experienced readers. It deserves a place in every department practicing musculoskeletal ultrasound."

-Acta Radiologica (2015, Vol. 56(4) NP28)

Most helpful customer reviews

4 of 5 people found the following review helpful.
MSKUS Has a NEW difining text.
By G. Fritz
I own the first addition and it was good. The DVD was a real value. I own every credible text on this subject. This one rocks the socks off of the previous texts. I still do hold Bianchi as the BIBLE, but this edition has passed Jacobson for diagrams and images. A Strong Case for the new defining text for MSKUS imaging learning. Well done!!

1 of 1 people found the following review helpful.
Excellent Review for MSKUS Board Prep
By Gregory Howard Cain
I bought this book for preparing for the MSKUS board exam. But much more than that it has provided countless tips that i use in my everyday practice.

0 of 0 people found the following review helpful.
Maybe the best MSK book to date
By Jim R.
Maybe the best MSK book to date. I have most of the major books out there but this one is the best in my opinion. Not the most comprehensive one out there (that would be the Stephano Bianchi book) but still excellent. Very good text, images, and included needle techniques. A tad expensive when I bought it but heard the price has come down recently.

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Sabtu, 23 Januari 2010

[H962.Ebook] Download Ebook Materiality (Whitechapel: Documents of Contemporary Art)From The MIT Press

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Materiality (Whitechapel: Documents of Contemporary Art)From The MIT Press

Materiality has reappeared as a highly contested topic in recent art. Modernist criticism tended to privilege form over matter -- considering material as the essentialized basis of medium specificity -- and technically based approaches in art history reinforced connoisseurship through the science of artistic materials. But in order to engage critically with the meaning, for example, of hair in David Hammons's installations, milk in the work of Dieter Roth, or latex in the sculptures of Eva Hesse, we need a very different set of methodological tools.

This anthology focuses on the moments when materials become willful actors and agents within artistic processes, entangling their audience in a web of connections. It investigates the role of materiality in art that attempts to expand notions of time, space, process, or participation. And it looks at the ways in which materials obstruct, disrupt, or interfere with social norms, emerging as impure formations and messy, unstable substances. It reexamines the notion of "dematerialization"; addresses materialist critiques of artistic production; surveys relationships between matter and bodies, from the hierarchies of gender to the abject and phobic; explores the vitality of substances; and addresses the concepts of intermateriality and transmateriality emerging in the hybrid zones of digital experimentation.

Artists surveyed include Georges Ad�agbo, Carl Andre, Janine Antoni, Amy Balkin, Artur Barrio, Helen Chadwick, Mel Chin, Mark Dion, Jimmie Durham, Tessa Farmer, Chohreh Feyzdjou, Romuald Hazoum�, Pierre Huyghe, Ilya Kabakov, Mike Kelley, Anthony McCall, Teresa Margolles, Robert Morris, Michelangelo Pistoletto, Tino Sehgal, Shozo Shimamoto, Santiago Sierra, Robert Smithson, Simon Starling, Paul Thek, Paul Vanouse, Mierle Laderman Ukeles, Kara Walker

Writers include Joseph D. Amato, Karen Barad, Judith Butler, Elizabeth Grosz, Georges Didi-Huberman, Natasha Eaton, Jens Hauser, Dieter Hoffmann-Axthelm, Tim Ingold, Wolfgang Kemp, Julia Kristeva, Esther Leslie, Jean-Fran�ois Lyotard, Dietmar R�bel, Monika Wagner, Gillian Whiteley

  • Sales Rank: #60563 in Books
  • Published on: 2015-09-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.20" h x .90" w x 6.00" l, .0 pounds
  • Binding: Paperback
  • 240 pages

Review

Immersing oneself in this rich and diverse collection of short reflections on materiality is an incredibly pleasurable and rewarding experience.

(Diana Coole, Professor of Political and Social Theory, Birkbeck, University of London)

What makes Petra Lange-Berndt's new book so relevant in the conversation about art's place within material culture is how it makes unmistakably clear that the meaning of the term Materiality is not bound to our discussion around objects, artefacts or commodities alone but connected to far-reaching philosophical concepts and models. The book takes the reader from examinations of terms such as dematerialization and immateriality in the digital world to the hybrid context of inter- and transmateriality. What Materiality ultimately proposes is that we learn (again) to see material, that we listen to matter and that we let the substances that art is made of communicate their own agency.

(Jens Hoffmann, Director, The Jewish Museum, New York)

In Materiality Lange-Berndt has compiled a palimpsest of comment on waxiness, stickiness, smoothness and colour; of wood, mud, stone and sugar. Extracts from both theorists and artists combine to remind us of the elemental ways in which materials have formed art and art practice. A fundamental text that expands our understanding of materiality, from the multiple perspectives of global art practice and critical theory.

(Haidy Geismar, Reader in Anthropology, University College London)

Why matter matters is an important matter as feminist philosopher and scientist Karen Barad writes. And it matters what matters we use to think other matters with, as Donna Haraway reminds us. I welcome this new book about materiality. It explores questions of embodiment in our age of vituality, and that is no small matter.

(Carolyn Christov-Bakargiev, International curator and art historian)

About the Author

Petra Lange-Berndt is a Lecturer in nineteenth- and twenty-first-century art at University College London and a leading researcher in the field of material studies in art history. She is coeditor, with Dietmar R�bel, of Sigmar Polke: We Petty Bourgeois! Contemporaries and Comrades, the 1970s.

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0 of 2 people found the following review helpful.
Great book.
By Amazon Customer
Arrived quickly. Great book.

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Selasa, 19 Januari 2010

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  • Sales Rank: #10453484 in Books
  • Published on: 2011
  • Binding: Single Issue Magazine

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Minggu, 17 Januari 2010

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  • “The Story in the Mountains,” an essay by Anton DiSclafani about writing her debut novel, The Yonahlossee Riding Camp for Girls, a lush, sexy evocative story of family secrets and girls’-school rituals set in the 1930s South.
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  • Juan Gabriel V�squez’s essay, “Memories of the Years of Chaos,” about how Colombia’s recent history informs his new novel, The Sound of Things Falling

Each of these pieces is an engaging and informative introduction to these truly wonderful books.

  • Published on: 2013-05-07
  • Released on: 2013-05-07
  • Format: Kindle eBook

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1 of 1 people found the following review helpful.
Riverhead Books
By Vivaan Ali
I liked the interview with Pransky, the layabout mutt turned therapy dog at the heart of Sue Halpern’s A Dog Walks into a Nursing Home: Lessons in the Good Life from an Unlikely Teacher.

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Sabtu, 16 Januari 2010

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The Origins of Israeli Mythology: Neither Canaanites Nor Crusaders, by Professor David Ohana



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The Origins of Israeli Mythology: Neither Canaanites Nor Crusaders, by Professor David Ohana

We claim that Zionism as a meta-narrative has been formed through contradiction to two alternative models, the Canaanite and crusader narratives. These narratives are the most daring and heretical assaults on Israeli-Jewish identity, which is umbilically connected to Zionism. The Israelis, according to the Canaanite narrative, are from this place and belong only here; according to the crusader narrative, they are from another place and belong there. On the one hand, the mythological construction of Zionism as a modern crusade describes Israel as a Western colonial enterprise planted in the heart of the East and alien to the area, its logic, and its peoples, whose end must be degeneration and defeat. On the other hand, the nativist construction of Israel as neo-Canaanism, which defined the nation in purely geographical terms as an imagined native community, demands breaking away from the chain of historical continuity. Those are the two greatest anxieties that Zionism and Israel needed to encounter and answer forcefully. The Origins of Israeli Mythology seeks to examine the intellectual archaeology of Israeli mythology, as it reveals itself through the Canaanite and crusader narratives.

  • Sales Rank: #3292773 in Books
  • Published on: 2014-08-21
  • Released on: 2014-08-21
  • Original language: Hebrew
  • Number of items: 1
  • Dimensions: 9.21" h x .63" w x 6.14" l, .0 pounds
  • Binding: Paperback
  • 278 pages

About the Author
Professor David Ohana studies modern European and Jewish history. His affiliations have included the Hebrew University of Jerusalem, the Sorbonne, Harvard University and the University of California, Berkeley. He is a full professor of History at Ben-Gurion University of the Negev, Israel. Ohana earned his Ph.D. at the Hebrew University of Jerusalem in 1989. He is the recipient of a Fulbright fellowship and has been a senior Fellow at the Jerusalem Van Leer Institute, where he founded and directed the Forum for Mediterranean Cultures. Since 2000, he has been a Fellow at the Ben-Gurion Institute for the Study of Israel and Zionism. Ohana's research areas include the intellectual and cultural history of modern Europe, political philosophy, comparative study of national myths, Mediterranean studies, Zionist ideology and Israeli identity. He has written and edited numerous books in Hebrew, English and French. Among the books he has written are The Last Israelis (1998), A Humanist in the Sun: Camus and the Mediterranean Inspiration (2000), The Promethean Passion: The Intellectual Origins of the Twentieth Century from Rousseau to Foucault (2000), The Rage of the Intellectuals: Political Radicalism and Social Criticism in Europe and Israel (2005), The Myth of Niobe (2009), a trilogy The Nihilist Order (2009) and Political Theologies in the Holy Land: Israeli Messianism and its Critics (2010).

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Minggu, 03 Januari 2010

[P876.Ebook] Get Free Ebook A Dry White Season, by Andre Brink

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A Dry White Season, by Andre Brink

A Dry White Season, by Andre Brink



A Dry White Season, by Andre Brink

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A Dry White Season, by Andre Brink

As startling and powerful as when first published more than two decades ago, Andr� Brink's classic novel, A Dry White Season, is an unflinching and unforgettable look at racial intolerance, the human condition, and the heavy price of morality.

Ben Du Toit is a white schoolteacher in suburban Johannesburg in a dark time of intolerance and state-sanctioned apartheid. A simple, apolitical man, he believes in the essential fairness of the South African government and its policies—until the sudden arrest and subsequent "suicide" of a black janitor from Du Toit's school. Haunted by new questions and desperate to believe that the man's death was a tragic accident, Du Toit undertakes an investigation into the terrible affair—a quest for the truth that will have devastating consequences for the teacher and his family, as it draws him into a lethal morass of lies, corruption, and murder.

  • Sales Rank: #378422 in eBooks
  • Published on: 2013-04-30
  • Released on: 2013-04-30
  • Format: Kindle eBook

Review
"Excellent...[a] harrowing and surprising story. The ultimate power of the book comes from an authoritative meditation on the traps that open up for someone who answers to himself before society" Scotsman "The revolt of the reasonable...far more deadly than any amount of shouting from the housetops" Guardian "Impossible to recommend too highly" Time Out "Books like this one succeed...in drawing our emotions into politics. What will remain is the plain bravery of his characters...their struggle has found an honest chronicler" Daily Telegraph "Andre Brink's writing is built on conviction...A Dry White Season describes the triumph of tyranny" The Times

About the Author

Andr� Brink is one of South Africa's most distinguished writers. His books include An Instant in the Wind and Rumours of Rain, both of which were short-listed for the Man Booker Prize.

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29 of 31 people found the following review helpful.
A harrowing novel
By HORAK
Ben Du Toit teaches history and geography in Johannesburg, South Africa. It is the period of the height of the youth riots in the township of Soweto. At Ben's school, Gordon Ngubene, a native, is a cleaner and he occasionally does little chores for Ben. When Ben sees that Jonathan, Gordon's son, is showing signs of intelligence and diligence, he decides to partly finance his education. One day however, Jonathan takes part in a demonstration which ends up in a violent riot and is arrested by the police. A few weeks later, after a harrowing quest through countless offices, Ben and Gordon are informed that Jonathan died "of natural causes" while in detention.

Due to the mystery surrounding his son's death, Gordon gives up his job in order to devote himself entirely to the enquiries which have become an obsession with him. Both the Special Branch and the Security Police are annoyed about Gordon's insistence and soon enough Gordon is arrested. After numerous attempts to try to trace Gordon and speak to him, Ben and Gordon's wife Emily are told by the spokesman of the Security Police that Gordon apparently committed suicide by hanging himself with strips torn from his blanket.

But Ben Du Toit senses that the official explanations for both Jonathan's and Gordon's deaths are just a pretext for poorly disguised murders and so he decides to take matters in his own hands and starts investigating.

Mr Brink's novel is a harrowing account of a solitary man's fight against all the atrocities of the Apartheid. During this dark period in the history of South Africa, a white man had to be a real hero to fight for the right of the Afrikaners. The author beautifully captures the fact that Ben has to fight not only the resentment of the people of the other race, but also that of the people belonging to his own race - his family for a start. The descriptions of the townships of Johannesburg, particularly that of Soweto, are breathtaking in their accuracy and poignancy.

21 of 23 people found the following review helpful.
Gripping but dated fiction
By W J Punt
Brinks sketches the life of a idealistic man - Ben du Toit that lives his life in Apartheid South Africa on the brink of normalcy until the mysterious death of a black American friend and his son points to government involvement. As du Toit becomes obsessed with discovering the truth he becomes the symbol of Afrikaner conscience struggling to cope with the conflict and alienation that this crusade against Apartheid causes. With Apartheid being woven into the Afrikaner concept of nationhood and religion Ben finds himself not only in conflict with his family or the government but with his own history and ultimately with his own identity and even his soul. du Toit becomes a classical Afrikaner in his stubborn steadfast refusal to sway from his course , irrespective of the consequences, that he believes to be the only just and morally acceptable one.
He painfully exposes the moral vacuum of Apartheid and how it alienates not just du Toit from himself and his family but ultimately the Afrikaner from their fellow South Africans, as well as their own ideas of justice and morality.
The original Afrikaans language edition packs a powerful punch and is beautiful to read. English translation loses a bit of impact and fails to capture the finesse of the master writer in his mother tongue but is never the less worth burning the midnight oil for. It should however be noted that the story is dated and not a balanced portrayal of South Africa, Afrikaners or Apartheid.
Good fiction but not a historical treatise of Apartheid as some reviewers seem to think.

8 of 8 people found the following review helpful.
My own opinions as a high school reader.
By Chelsea Radcliffe
During the 1970's in South Africa, several protests were happening against the apartheid acts and the education of African natives to speak Afrikaans, instead of their chosen language. In Andre Brink's brilliant novel, A Dry White Season, he presents the brutality of the African struggle for freedom from the white leaders by telling the story of one man's effort to clear his black friend's name. When Gordon Ngubene, a janitor at the local school in Johannesburg, finds his son dead without a clue of what happened, he asks his colleague Ben Dutoit for financial help and support. After certain inquiries were developed on Gordon's behalf for his son, Jonathan, he is arrested by the police and is marked by his own "suicide". However once Ben begins to unfold the evidence that leads to what truly happened, he is caught in a jungle of lies, danger, and an atrocious form of racism.

Ben Dutoit was a simple man content with his mediocre life based on his wife, two daughters, and his teaching. Although the Special Branch had become more involved in the town where he lived, he purely continued throughout his basic routine day in and day out. Once Gordon is told by the Security Police that his son has died of "natural causes" while in a severe detention for publicly protesting, it seems that he will stop at nothing to figure out what had occurred the night of Jonathan's death. "If it was me, all right. But he is my child and I must know. God is my witness today: I cannot stop before I know what happened to him and where they buried him. His body belongs to me. It is my son's body."(Pg.49 A Dry White Season). Throughout this time period, whites naturally assumed themselves superior to that of the African race, and ruthless acts were brought upon the blacks daily. Brink vividly described the numerous cruelties aimed at the "inferior race" due to such instinctive racism. The author conjures the understanding of the reader to see how simple it would be for Ben to turn a blind eye on Gordon's tragedy. Yet after Gordon is accused of strangling himself by tying bits of torn blanket together, Ben is convinced that it was torture that killed the prisoner, and Ben just cannot let the case go with injustice. One can sense just how stubborn Ben truly is regarding the truth of his friend's alleged murder, mainly because of the emotions depicted by Brink that the reader can pick up on. Assembling as much evidence against the Special Branch's summary of Gordon's arrest, with the help of taxi driver and informational guide Stanley, Ben attempts to prove that the police are sadistic liars that have crossed the line of racism and have entered a territory of the highest form of hatred. Publicity of his "Negro loving" efforts have provoked such racists to seek ways to harm Ben and his family, such as sending bombs in the mail and shooting through his windows at night. I simply cannot comprehend the motive of someone to physically or mentally abuse another for their own views. However nothing could frighten him from completing what he had started in the first place, not even the terrifying Captain Stolz who had threatened him many times during the case. The thorough detail Brink constructed to picture the startling police officer was amazing, admitting a very clear idea of just how alarming this character must have been. Aware of his immense caution in his own case, he presented one of his old college friends with pieces of information in order to write a biography of Ben Dutoit. Two weeks later, Ben was killed in a hit and run car accident, but fortunately for him, his story would not be left untold. I personally found myself having to read certain paragraphs repeatedly in order to really grasp what was happening in all of the excitement, which I appreciated from the author. The plot was persistently heart pumping, giving off the effect that South Africa's horrifying and unfair history was not given the deliberate attention it deserved.

Before this misfortune had happened, Ben had been conceived as having a rather introverted personality, spending most of his time alone playing chess in his den. However the demand for real facts about what had definitely taken place seemed to have changed his behavior. Suddenly Ben was actually offering his true opinions back to those that he would not dare before, such as Captain Stolz, no matter how harsh or unsettling. After this unexpected alteration, Ben began to become more aware of his surroundings, more observant of his daily routines that he had developed into over the years. The author made sure to explain Ben's strange emotions in noticing things in his life that seemed unfit to him. "All at once this is what seemed foreign to him: not what he had seen in the course of the long bewildering afternoon, but this. His garden, with the sprinkler on the lawn. His house, with white walls, and orange tiled roof, and windows and rounded stoop. His wife appearing in the front door. As if he'd never seen it before in his life."(Pg.99 A Dry White Season). If you take a considerable amount of time to glance at your own life, as I have done from the direction of this book, you perceive things that might belong to you, though they might seem impossible to be yours. The process is difficult to explain, until you try to complete it yourself. Brink wrote the character as if his own qualities were shifting along to the varied events of Gordon's death case. The author seemed to have used Ben's life as symbolism of how one moment could alter anyone's life as they know it. A calamity such as this could happen to anyone, even I, and this thought makes me wonder. How would the way I act now be changed?

The Soweto protests of the 1970's in South Africa led to many empty lots filled with tear-gas, public shootings, and violent massacres of black citizens. In the novel A Dry White Season, Andre Brink tells the tale of one honorable man that knew too much information for his own good at a time era like his generation, which guided him into a vast land of moral corruption. Ben Dutoit's story has captivated my imagination, gripped my heart, crossed my frustrations, and stirred my tears. This book has taught me, as well as numerous other readers as well, to follow your instincts and never let justice go unserved. "Perhaps all one can really hope for, all I am entitled to, is no more than this: to write it down. To report what I know. So that it will not be possible for any man ever to say again: I knew nothing about it. (Pg.316 A Dry White Season).

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